Thursday - The UC Theatre 1st Anniversary Show

Live Nation Presents

Thursday - The UC Theatre 1st Anniversary Show

Touche Amore, Basement, Wax Idols

Wed, April 12, 2017

Doors: 6:30 pm / Show: 7:30 pm

$29.50

All support acts are subject to change without notice.

Thursday
Thursday
"A significant player in the early 21st century's post-hardcore scene, Thursday formed in 1997 in New Brunswick, NJ. Led by vocalist Geoff Rickly, the band's initial lineup also included bassist Tim Payne, drummer Tucker Rule, and guitarists Steve Pedulla and Tom Keeley. After issuing their debut, 1999's Waiting, through the New York-based indie label Eyeball Records, the band signed to Chicago's influential Victory label for 2001's Full Collapse. Tours alongside Boy Sets Fire and Sparta helped support the album, which cracked the Billboard 200 at number 178. Thursday's frequent gigging and furious passion fueled a grassroots response, and by 2002, the band was on the main stage of the Warped Tour and enjoying MTV support for the single "Understanding in a Car Crash."

Thursday signed to Island Records in the wake of their breakthrough success, although they issued the 2002 live EP Five Stories Falling through Victory as a placeholder for their impending major-label debut. The ambitious song arc of War All the Time arrived in September 2003 and was met with considerable critical acclaim for its ruminations on 9/11, its personal lyrics, and a wildly shifting, kitchen-sink approach to pensive post-hardcore. Having played keyboards on the album, Andrew Everding was later added as a full-time member.

First taking some time off for themselves, the re-energized musicians then headed back into the studio with producer Dave Fridmann (the Flaming Lips, Mogwai). A City by the Light Divided, "the album that almost never was," appeared in May 2006, followed by a tour supporting both the album and the Shirts for a Cure organization.

Thursday's next project was a split album with the Japanese band Envy, which arrived in late 2008. That same year also saw the band inking a new deal with Epitaph Records. Reprising their relationship with Dave Fridmann, the group retreated to the studio to record Common Existence, which melded their post-hardcore swagger with new elements of indie rock and New Wave. Common Existence was released by Epitaph in early 2009, and Thursday joined the Rockstar Taste of Chaos Tour in support of the project." - Johnny Loftus, AllMusicGuide
Touche Amore
Touche Amore
Los Angeles artful indie post hardcore band Touché Amoré have announced a new album, Stage Four, to be released September 16 on Epitaph.

Formed in Burbank, California, across 2007 and 2008, the band’s urgent sound, with its melodic sonic assault and impassioned vocals, has grown tighter and more refined through a trio of full-length albums and a series of EP’s and releases. Since those early days, lead singer Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin have created a trajectory for themselves through hard work and dedication. And now with Stage Four, their fourth and biggest album to date, they are cementing their status as one of rock music’s most talented, relatable, and visceral acts. Over the years the band rose to prominence with 2009’s …To the Beat of a Dead Horse and 2011’s Parting the Sea Between Brightness and Me. Touché Amoré crossed into new territory with the 2013 art-punk masterpiece Is Survived By. Having earned early cred, critical favor, and legions of fans by playing lengthy tours of all shapes and sizes—in every basement, youth center, and house show—the band enjoyed a bigger following which only grew along with their talents.

“I don’t open up to people too much in regular life, but when I’m writing songs, I want to be as open and as honest as possible,” Bolm confesses. Touché albums have always served as an emotional outlet for Bolm. So when the time came to write Stage Four there was no question that it would be about passing of Bolm’s mother in late 2014. Stage Four was recorded in early 2016 in Studio City, CA with producer Brad Wood. Cathartic in delivery, highly sentimental, and sonically triumphant, Stage Four is an emblem of a band both living its dream and marred by loss. And with Stage Four, Touché Amoré has unmistakably made the biggest, boldest, and most artistic statement of their career.
Basement
Basement
Since abruptly announcing an indefinite hiatus only weeks after the release of 2012's breakthrough LP Colourmeinkindness, Basement's intensely devoted following has only grown. Promise Everything is the band's full-length return to writing and recording since the break. Challenged by the spacing out of members not only across the country - but across the globe - Promise Everything was written by piecing together songs without the luxury of a space or even a time zone to share. Perhaps this is why upon listening, Promise Everything feels like a conversation between different people, revealing different moods and feelings throughout. This conversation shifts and evolves, filtering subtle, tasteful alternative rock touchstones through the band's unmatched melodic lens. More clearly aggressive songs like "Brother's Keeper" and title track "Promise Everything" situate Basement at the forefront of the rock world, pairing that aggression with an inherent sense of melody. On the standout track "Aquasun," lyrical flow and melody overtake the listener while overt meaning gives way to musicality and its nuance. Despite years spent apart, it would seem Basement's musical conversation has been one that has lingered even when after it was interrupted too soon by their premature & luckily temporary break, and as their first true cohesive document, Promise Everything is only the beginning of what Basement has to say.
Wax Idols
Wax Idols
WAX IDOLS straddle the line between ripping tough/tender post-punk/goth-pop, and irresistibly anthemic indie rock hooks. So it comes as no surprise that the band has recently signed to Slumberland Records, with a full-length LP set to drop just days before this show. (And produced by Mark Burgess of The Chameleons, no less!) Led by the enigmatically agitated Heather Fedewa (aka Hether Fortune, ex-Hunx & His Punx, Bare Wires, and also currently a member of CastleFace Records' Blasted Canyons).
Venue Information:
The UC Theatre Taube Family Music Hall
2036 University Avenue
near Downtown Berkeley BART
Berkeley, CA, 94704